Music

“Let It Be” got a stunning country twist with this beautiful cover. The Beatles classic gets quite the rendition, and you’ve likely never heard the beloved tune performed this way. Watch the short and thoroughly enjoyable clip to listen to The Beatles’ classic “Let It Be” but with a country flavor.

The Beatles are easily the most influential band of all time. Decades after they broke up, their music is still played endlessly on the radio and everywhere else. Their many tunes even span generations, with everyone from grandparents to grandchildren singing along effortlessly to their songs whenever heard.

Even if you aren’t a fan of The Beatles (like me), it’s hard to deny their continued influence on music and musicians. The Beatles essentially invented modern pop music, with everything else that’s come after heavily borrowing from their work. That’s incredibly impressive, considering the Beatles broke up in the 1970s.

Since their songs are beloved worldwide, they are popular targets for covers, including “Let It Be.” However, this one goes in a decidedly different direction than you have ever heard before. It’s a country version, and surprisingly, it works to great effect.

“And when the broken-hearted people living in the world agree
There will be an answer, let it be
For though they may be parted, there is still a chance that they will see
There will be an answer, let it be”

If someone had told me to listen to a country rendition of “Let It Be,” I would have immediately passed, believing it would be horrible. And, well, I would have been very wrong, and this is coming from someone who is not a country music nor a Beatles fan.

It’s fantastic and likely to be one you return to repeatedly.  I understand that nothing will ever top the original, but this one is still pretty good, especially as far as covers go.

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”

A trio delivered a jaw-dropping “Don’t You (Forget About Me)” performance on The Voice. It was a fantastic rendition from the three incredibly talented vocalists. Watch the short clip to listen to this delightful cover performance of the classic 1980s tune “Don’t You (Forget About Me).”

Many things in popular culture become closely associated with the time period and era in which they were released. It’s absolutely true. Think about it for a second. When someone mentions bell-bottom pants, airplane shirt collars or disco balls, you’ll immediately think of the 1970s. Likewise, lava lamps, poodle skirts and go-go boots are synonymous with the 1960s.

When it comes to the 1980s, many likely immediately jump to the popular films of that decade. “Pretty in Pink,” “Sixteen Candles” and “St. Elmo’s Fire” were all released in the 1980s. However, arguably the one most closely associated with cinema in the 1980s was “The Breakfast Club.” And it’s impossible to talk about that film without Simple Minds’ tune “Don’t You Forget (About Me).”

In a clip posted on YouTube, three contestants looking to continue impressing on The Voice took a swing at the 1985 song. And it was an absolute home run, delighting all four judges and the studio audience. Even if you do not like the original song, there is much to love about this immensely enjoyable cover.

Following the outstanding performance, all four judges sang their praises, showering them with compliment after compliment.  Snoop Dogg compared their rendition of the song heard at the end of “The Breakfast Club” to a “drive-in movie.”

“Man, that was groovy like a drive-in movie,” he said. “Oh, man, the way y’all work together, y’all look like a group.”

In the end, though, while everyone loved the performance, someone had to go home, and Reba was left to make that difficult decision.

Ephesians 5:19 “Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord;”

Frank Sinatra’s “My Way” has been transformed into a beautiful piano instrumental. This rendition of the beloved classic is one that you’ll return to repeatedly. Watch the short and most enjoyable clip to listen to this fantastic rendition of Frank Sinatra’s “My Way.”

Covers are not going anywhere. Musicians have been playing the songs previously written and recorded by others, likely since music came into existence. With the proliferation of social media platforms such as TikTok, Facebook and Instagram, they will only continue to grow. On YouTube, there are hundreds, possibly even thousands, of pages full of nothing but videos where people perform other highly recognizable, beloved songs.

While covers are here to stay. That doesn’t just mean covers have to be nothing but duplicates and carbon copies of the original version. In fact, it’s actually better if some originality and artistry are included in a cover. That will only make them better. It helps them stand out while remaining true to the original song.

In a clip posted on YouTube, one person performs Frank Sinatra’s “My Way.” This is a song that you are likely more than familiar with, as it’s been around for quite some time. However, instead of simply singing the song, trying to imitate Frank’s unmistakable voice and musical style, this musician removes all those words.

This version is a stupendous instrumental, with the musician playing the tune we all know and love. Additionally, graphics are added at the top of the screen, as if the excellent piano performance wasn’t enough to keep you watching. They continually fall toward the screen, resembling a game of Tetris.

Frank Sinatra’s “My Way” is a tune that doesn’t need the words added because, like most people, you’re likely adding your vocals whenever you listen to it.

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”

A young woman delights with her charming cover of “Take Me Home, Country Roads.” This spectacular rendition of the John Denver classic will have you singing along. Watch the short but thoroughly enjoyable clip to listen to this little lady’s stupendous cover of “Take Me Home, Country Roads,” a song that is near and dear to the hearts of many.

Most people love traveling, going on vacation and experiencing new things. It’s an opportunity to get away from the familiar and the everyday and see what else the world has to offer. The world is full of incredible, breathtaking sights, sounds, tastes and smells, but unfortunately, we only have so much money and vacation days.

However, regardless of how much we might enjoy getting away and getting some rest and relaxation, eventually, we’ll long for the familiar. We’ll wish we were home, to the place where we’re most comfortable and know best. As anyone who has been away from their home and their loved ones for an extended time knows, homesickness is real.

In a clip posted on YouTube, a young woman performs John Denver’s classic about returning home, “Take Me Home, Country Roads.” Her rendition is fantastic, demonstrating her abundance of musical talent as she performs and sings the lyrics originally written and sung by the late country/folk singer.

“Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads”

Even people who aren’t John Denver fans or don’t particularly appreciate country/folk music still know and appreciate that tune. How can you not? It has one of the simplest yet incredibly catchy choruses of all time. It’s a song that, if you hear it once, it will be stuck in your head for the rest of the day. 

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”

Oh friend, you have to see this—because I’m still smiling, still tapping my foot, and maybe even humming under my breath like it’s 1952 again. You can’t help but watch REO Speedwagon’s ‘Take It On The Run’ as it gets a fun 60s girl group makeover. 

I stumbled upon something that felt like discovering an old record player in the attic—dusty, charming, full of nostalgia—and the moment the needle dropped, it transported me straight back to the golden age of swing and sass. It’s Scott Bradlee’s Postmodern Jukebox performing one of our favorite hits of all time—and it’s pure, glittering magic. 

From the first note, you’re swept into a technicolor world where every hemline swishes, the dresses are vivid greens and buttery satins, and the hairstyles curl just so—like a scene from a 1940s supper club where the air hums with brass and laughter. The band swings, the vocals flirt, and that familiar rock ballad becomes something altogether new—like hearing an old story told by candlelight for the very first time.

And can I tell you? It’s good clean fun. The kind that makes you want to grab your sweetheart’s hand, or twirl a wooden spoon in the kitchen like it’s a microphone. You’ll feel that old joy again—the kind we’ve almost forgotten, when music wasn’t just heard but felt.

One listener said it best: “When PMJ covers a song I’ve heard dozens of times, I finally understand all the lyrics.”

Isn’t that the beauty of it? Taking what was once familiar and uncovering its heart all over again. So yes, you’ll want to add this one to your playlist. It’s got pizzazz, sass, and soul stitched right into every note.

Scott Bradlee’s Postmodern Jukebox—bringing us “Today’s Hits, Yesterday” since 2010. A home for all of us old souls who love when music wears pearls and red lipstick.

Welcome down the PMJ rabbit hole. Just wait till you hear this one.

Ecclesiastes 8:15 "So I recommend having fun, because there is nothing better for people in this world than to eat, drink, and enjoy life."

Check out this stunning performance on The Voice of Jackie Wilson’s ‘Lonely Teardrops.’ The singer on stage is Elias Gomez, and he amazed the judges with his rendition of this song. You can hear that his voice has an emotional ache to it with a vibrant tone that totally captivates.

‘My heart is crying, crying
Lonely teardrops
My pillow's never dry of lonely teardrops
Come home, come home, just say you will, say you will’

The song ‘Lonely Teardrops’ was written by Berry Gordy Jr., Gwen Gordy, and Roquel "Billy" Davis, and it was first recorded and released as a single in 1958 by R&B singer Jackie Wilson. It became such a big hit, and the Rock and Roll Hall of Fame named ‘Lonely Teardrops’ one of the "Songs that Shaped Rock and Roll". Then in 1999, the song was inducted into the Grammy Hall of Fame.

On The Voice, Elias Gomez covers the song in his own way, and the judges – Reba McEntire, Snoop Dogg, Michael Bublé, and Niall Horan – were all very impressed.

“I’ve got one space left, and I was like, ‘Let this last space be for the king, for the star,’” shared Michael Bublé. “And then I’m back there and I hear a dude take a Jackie Wilson song, and you crushed it. Jackie Wilson is looking down, and he’s going like, ‘Mm-hmm.’”

Snoop Dogg shared how he really enjoyed the uniqueness of the performance. “I know that record, but I’ve never heard it sung in that style, and you were really good at doing it,” he said. “No matter what team you end up on, I think you’re gonna be in great hands, because you’re on a show with people that really enjoy people like you and what you do.”

“That was absolutely amazing. We were rocking out back there!” said Niall Horan.

What an incredible performance and we can’t wait to see what Elias Gomez sings next!

All four coaches turned their chairs around for a contestant’s electrifying performance on The Voice. The young woman’s dazzling and jaw-dropping audition caused some of the biggest names in music to sit up and take notice. Watch the short but powerful clip to listen to and see this talented singer wow the coaches and the studio audience.

Despite what it may seem when watching episodes of The Voice, American Idol and America’s Got Talent, not everyone who auditions makes it onto those programs. Sure, especially in the case of American Idol, a hard-luck, depressing backstory may help your chances of making it on the show. However, the person auditioning must still have an abundance of talent.

This is doubly true for anyone trying out for The Voice because the judges face away from the contestants when they take the stage. Only their voice will cause them to flip their chairs around. One young woman’s powerhouse of a voice while singing a beloved R&B tune caused all four judges to turn their chairs.

Trinity, a 24-year-old from Connecticut, sang En Vogue’s “Don’t Let Go,” which was fantastic! Within seconds of her outstanding and jaw-dropping audition, it became clear that she had been blessed with an angelic voice. But she continued to surprise. Whenever you thought she had reached her ceiling and demonstrated all that her voice was capable of, she did more and more.

The longer her audition went, the better her vocal performance got. She reached for and hit several very high notes, earning her a four-chair turn and high praise from the judges.
While all four judges were thoroughly impressed with Trinity’s audition, Snoop Dogg gave her the biggest compliment when trying to convince her to join his team.

“So, that song is an En Vogue song, and it’s sung with four women,” he said. “The way you held that song down by yourself without all of those backgrounds and ad-libs, that’s strength. That’s power. You remind me of Donna Summer. You just up there looking like a superstar.”

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”

Check out this wonderful cover of the timeless hit ‘Still the One’ by Orleans. The performance is done by the talented group Foxes and Fossils. They are known for doing an eclectic collection of great covers that span generations, and they sure hit it out of the park with this cover!

‘We've been together since way back when
Sometimes I never wanna see you again
But I want you to know, after all these years
You're still the one I want whisperin' in my ear’

This song is such a timeless classic! ‘Still the One’ was written by Johanna Hall and John Hall, and it was recorded by the soft rock group Orleans on their album Waking and Dreaming, which was released in 1976. The song ended up reaching No. 5 on the Billboard Hot 100.

In this cover, the group Foxes and Fossils takes the lead on Orleans’ smash hit. “Known for its soaring harmonies and heartfelt delivery, this Foxes and Fossils cover captures the same magic that made the original a staple of the ’70s while adding the unique F&F touch that fans love,” reads the caption of this YouTube video.

Many fans online shared their thoughts about this cover from Foxes and Fossils, and they only had high praises to share.

“This is the best cover of this timeless classic I have ever heard, and naturally, it comes from Foxes and Fossils. Bravo!” comments one person after watching the video.

“You guys are definitely still the one! Outstanding on harmonies, instrumentation, and the lead vocals - everything! Love it!” writes another person online.

This is one of those songs that just immediately lifts your mood! Foxes and Fossils are such a talented group, and it looks like they have such a great time performing together. We hope you enjoyed listening to their cover of ‘Still the One’ today!

A group of youngsters wowed with their powerful a cappella performance on The Jennifer Hudson Show. Very early in their appearance on the popular program, it's apparent that the children have been blessed greatly with an abundance of musical talent. Watch the short but jaw-dropping clip to listen to these incredibly gifted children perform an a cappella rendition of a beloved tune.

Everyone has been blessed with a different, unique set of skills and talents. Some people might be good at working with their hands, while others may be skilled speakers, able to captivate a crowd with the spoken word. Some may have more than others, but we all have one or two areas in which we are naturally gifted.

As shows like American Idol, The Voice and America's Got Talent have made it entirely clear, a lot of people believe they are gifted, talented singers. Many of those individuals are correct, while others have been deceived and are incorrect in their musical abilities. Singing is a talent like any other. People either have it or they do not. A clip posted on YouTube shows four little ones who clearly have it.

The youngsters, who call themselves The Brown Four, performed an a cappella rendition of "I'll Take You There," the 1972 classic by The Staple Singers. And it's absolutely fantastic! It's a rendition that you could listen to repeatedly and never tire of it.

Each of the four children has an outstanding voice and incredible range, which they all demonstrate at various points throughout their dazzling performance. Not only are they individually talented, but the four children's harmonies are literally music to the ear. Just when you think they've done everything they can do, they continue to demonstrate their incredible, mind-blowing amount of God-given talent.

How can children that young sound that good and be that talented?

Colossians 3:16 "Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord."

Listen to this stunning a cappella rendition of the song ‘I’m a Man of Constant Sorrow.’ The singer in the video is Sam Robson, who does an incredible job of singing and putting together all the different parts of the song. And the visuals of the music video are just as interesting!

‘I am a man of constant sorrow
I’ve seen trouble all my days
I bid farewell to old Kentucky
The place where I was borned and raised’

The song ‘I’m a Man of Constant Sorrow’ was written by Dick Burnett and made famous by the Stanley brothers. Many other musicians recorded versions of the song in the 1960s, including Bob Dylan. Sam Robson says that he grew up hearing this tune because his mother played it frequently. He also shares details about the creation of the visuals for this music video.

“The visuals contain a video screenshot of my Digital audio Workstation,” he says in the caption of the YouTube video. “I did once before on my Stevie Wonder arrangement, I brought it back because it represents the sense of journey and motion that this song has across its 5 verses. Hope you like it!”

What an impressive arrangement by Sam! And many people online shared their thoughts on his music video.

“Wow! This caught me off guard,” writes one person online. “I love this rendition of yours!”

“I love your arrangement, your voice is killer, your editing superb, etc etc! You crushed it yet again! Thank you for all the time and effort you put into these and thank you for sharing your gift with all of us! I love the light you bring to the world!” comments another person on YouTube after watching the music video.

We hope that you enjoyed listening to this rendition of ‘I’m a Man of Constant Sorrow’ today!

Check out this talented teen as he stuns the audience and judges on The Voice with his cover of ‘I Want You Back’ from The Jackson 5. The young singer is 14-year-old Max Chambers from Shreveport, Louisiana. His singing is sure to make you smile from ear to ear!

‘When I had you to myself, I didn't want you around
Those pretty faces always made you stand out in a crowd
But someone picked you from the bunch, one glance was all it took
Now, it's much too late for me to take a second look’

As soon as Max starts singing, the four coaches can be seen immediately dancing in their chairs. Reba McEntire, Snoop Dogg, Michael Bublé, and Niall Horan are all loving the joy and fun that Max brings to the stage. And Michael Bublé and Reba McEntire end up turning their chairs around during Max’s audition.

“I think you have fun entertaining, don’t you?” Reba says to Max after he finishes singing ‘I Want You Back.’ “Yes ma’am,” replies Max with a big smile on his face. “I know we’d have fun if you chose me as your coach,” says Reba.

Michael Bublé goes on to tell Max about the infectious energy he brought to his performance. “The joy you just brought the whole room is immense. You’re 14. It’s gonna be crazy for people to watch how much you grow,” Michael shares. “Your runs are great. Your pitch is great. Sometimes it’s about controlling stuff, and that’s okay. That’s what my job is as a coach. You’re awesome, and I’d love to hang with you, man.”

Many people online also shared their praise for Max and his performance.

“Just the way this young man carried himself spoke volumes! Kudos to the parents raising a gentleman. Also, he is genuine in his sincerity! Keep your eyes on this one!” writes one person online.

“He’s a contender. I think he’ll be in the finale. He’ll give those adults a run for their money,” comments another person.

We hope you enjoyed seeing Max Chambers perform ‘I Want You Back,’ and we can’t wait to see what he does next on The Voice!

Listen to this talented band perform a soulful rendition of ‘Come and Get Your Love’ by the band Redbone. The band in the video is called September In The Park. They do an outstanding job with this cover, and their music will make you want to dance and sing along!

‘Hail (hail) What′s the matter with your head? Yeah
Hail (hail) What's the matter with your mind, and your sign and? Oh
Hail (hail) Nothing the matter with your head, baby, find it, come on and find it
Hail with it, baby, ′cause you're fine and you're mine and you look so divine’

This is one talented band! Some of the people in the group include Glenn Carvin on the keyboard, Ian Michael Bruh on lead vocals, Keyla Acker on background vocals, Joel Powell on bass, Steve Rieck on guitar, and Melly Baldwin on drums. They all did such an incredible job on this cover of ‘Come and Get Your Love’! Many people online shared their praise for this performance from September In The Park.

“I just discovered this band on YouTube and am slowly working my way through their catalog. What a pleasure!” one person comments after watching the music video.

“The entire band once again delivers in style with this lively take on Redbone’s ‘Come and Get Your Love.’ Joel Powell’s five-string bass radiates pure energy, his enthusiasm practically leaping from the strings. And then there’s Keyla Acker — her dance moves are irresistible, making it almost impossible not to leap from your chair and move along with her. Altogether, it’s a performance bursting with joy, groove, and infectious spirit,” another person writes online.

The group September In The Park is known as the ultimate Earth, Wind & Fire and Chicago Tribute band. And they have started to share covers online of some of the greatest songs ever recorded. We hope that you enjoyed their music today!

A unique rendition of a Sam Cooke classic earned the very rare four-chair turn on The Voice. This young man’s take on this beloved tune is unlike any version you have ever heard. Watch the short but jaw-dropping clip to listen to the talented musician perform Sam Cooke’s classic “Bring It on Home.”

On American Idol, America’s Got Talent and The Voice, those hoping to make it onto those shows are constantly auditioning with covers. Sure, a few people will sing and perform their own material, but those instances are few and far between. Anyone who watches those programs with any regularity understands that it’s cover performances 99.9 percent of the time.

Now, every judge on those shows has likely heard almost every song imaginable covered in 1,000 different ways. So, to stand out and have their talent shine through, a contestant must take some risks and change things up a little to make the judges sit up and take notice, to draw them in. That was precisely what one young man did during his audition on The Voice, causing the four judges to flip their chairs around for him.

In the clip posted on YouTube, it becomes clear relatively early on that Dustin Dale Gaspard has a ton of talent and that something special is about to happen. He starts his audition by playing the harmonica, which no one ever does.

But it gets even better.

He then starts singing the song, demonstrating his unique and distinctive voice as he belts out the lyrics originally written and performed by Sam Cooke. Then, Dustin changes things again and starts singing those memorable and iconic lyrics in French, a move that blows all four judges away. The judges then hit their buttons one by one, flipping their chairs around to face the young man.

This was such a spectacular performance!

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”

Sometimes a voice slips through the cracks of an ordinary Tuesday night and stills you, right where you are.  This Country crooner stuns with The Judds’ classic ‘Why Not Me’ on The Voice. She’s the kind of voice that feels like church pews and gravel roads, like the warmth of your grandmother’s quilt and the edge of a late summer storm. That’s what happened when Cori Kennedy walked onto The Voice stage and opened her mouth.

Cori’s voice—low, throaty, honey-smooth with a rasp of gravel—carried the song like it was stitched into her very bones. You could almost hear Naomi and Wynonna smiling down, because this wasn’t just a cover; it was a remembering, a revival. A reminder of what country music sounds like when it’s wrapped in both grit and grace.

And just when you thought you’d already fallen in love with her, she did something no one expected. She strummed out a playful song she wrote for the judges themselves—a musical love note that was as much wit as it was wonder:

Well, I’m just a girl from a zero-stoplight town 
Minnesota roots, wearing hand-me-downs
From dreaming in the dark, I step out and rejoice
My grandma won’t believe me that I’m singing on The Voice

For Snoop, a nod to his rhythm and rhyme, balanced with her Willie Nelson roots:

Snoop, I didn’t grow up to your rhythm or your rhyme
But I know Willie Nelson, so I think we’ll be just fine

For Reba, heartfelt thanks for raising her on TV and through red-headed grit:

Miss Reba, you raised me right on the sitcom screen
A single mom working two jobs
My red-head fancy queen 

For Nial, a wink at her teenage crush era:

Nail, your happy smile lit up my teenage days
I was only smitten for Harry in my One Direction Phase

For Michael Bublé, a laugh-out-loud line about frozen Minnesota cars:

Mr. Bublé, you sing like a Christmas star
But have you ever tried to jumpstart a frozen Minnesota car?

It was clever, it was fresh, and it was joy—pure joy—wrapped in melody. The kind of moment that makes even jaded judges lean in with grins they can’t hide.

But what really lingers is this: Cori’s heart. She’s the kind of artist who gets us—she’s telling the story of small towns, single moms, teenage crushes, and frozen nights we all know too well. She’s the kind of voice that can gather us all around the table and remind us that music, at its best, makes us feel less alone.

One fan said it best: “That rasp. The growl. The high end. Pure country stardom waiting to happen. Love this gal.”

Yes. Love this gal. Because when you hear Cori Kennedy sing, you don’t just hear music—you hear possibility. And you can’t help but whisper to your friend, “Did you see her on The Voice? You have to.”

Zechariah 4:10 “Do not despise these small beginnings, for the Lord rejoices to see the work begin.”

I wasn't looking for a new version, but I know you will love this beautiful cover of ABBA’s ‘Mamma Mia’, and this sweet singer nailed it with all that disco sparkle and impossible-not-to-dance energy. This girl took one of the most joyful songs ever recorded and turned it into candlelight.

Maybe you remember Connie—that tiny six-year-old who walked onto the Britain's Got Talent stage in 2007 with a gap-toothed smile and sang ‘Over the Rainbow’ like she'd been carrying it in her pocket her whole short life. She came in second that year, but nearly two decades later, she's still here, still finding ways to make familiar songs feel like gifts we're opening for the first time.

When Connie sits at her piano to perform ‘Mamma Mia,’ everything slows down—the tempo drops. The playfulness softens. Those bouncy ABBA chords become something tender, almost achingly so. She's surrounded by soft candlelight, and you can feel that hush that comes when flames flicker and the world outside fades.

And then she sings. That's when you realize what she's done. She's taken a song about being hopelessly drawn back to someone and turned it into a love letter. Her voice, smooth as silk and warm as honey, wraps around the melody with such tenderness. "Your voice just keeps getting smoother and smoother," one fan wrote. "Like liquid gold to my ears. And gold twinkles in my eyes, as you are one stunning woman."

Another listener said, "Didn't realise I wanted a ballad version of this song until now, it sounds beautiful."

Here's what Connie does better than just about anyone: she doesn't copy. She reimagines. She takes a song we all know by heart and asks, But what if we slowed down? What if we felt this instead of just sang along? One fan captured it perfectly: "Connie, you always manage to make your covers beautifully your own. 'Mama Mia' is no exception. I love it!"

Another simply said, "Simply beautiful! Thank you Connie." And yet another marveled, "Connie, how can you manage to always deliver the most beautiful covers and songs!?"

I played her version three times in a row the first night I heard it. Then I got up and swayed in my kitchen, eyes closed, letting that voice wash over me like grace as I put away the dishes. Because sometimes we need permission to slow down. To let a simple, familiar song remind us that beauty still exists in the pauses, in the gentle moments, in the space between one note and the next.

So tonight, light a candle. Find Connie's ‘Mamma Mia.’ Let yourself sway. Let yourself exhale a sigh you didn't even know you'd been holding. Because even ‘Mamma Mia’ can be holy when someone sings it with this much heart.

Colossians 3:16  "Let the message of Christ dwell among you richly as you teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts."

Check out this singer’s ‘Cooler Than Me’ audition, which gets a 4-Chair turn and ends with a Michael Bublé duet.

Max Cooper III begins to play an incredible piano intro. As he opens his mouth, the judges are all intrigued. Snoop Dog’s chair quickly turns around. 

They realize that he is singing a unique rendition of “Cooler Than Me.” His flair and style of vocals are really fun to hear. You never know where he is going to go. His swag gets a second turn. 

All of a sudden, he does this shocking vocal run on the lyrics, “You’ve got your head in the clouds.” Reba literally cannot contain her excitement, and her jaw drops.

His voice has depth, style, and quite a range. The last two judges discuss their turn. They are so amazed at him. They turn their chairs. He finishes strong. 

The judges compliment him on receiving all of the chairs turning. They share about how he does an incredible job growing the song. It takes a skilled artist to do that. 

Max reveals that he is only 23 years old and from Kansas City, Missouri. They were proud of his style, and he loves pop songs with a jazz flair. Max says that the first song that he ever sang was ‘Just Haven’t Met You Yet’, and Michael Bublé says that he wrote that song and asks if they can sing it together. 

The crowd cheers. The two of them sing a duet at the piano. Michael has his arm around Max at the piano. It is a special moment for this young man meeting an artist that he has looked up to for a long time.

It is great to have people that we look up to in life who are worth emulating. Jesus makes it clear that He is the one to follow; He invites us to come and follow Him. May we remember that He is right there with us in life, just like Michael is with Max at the piano.  

“‘Come, follow me,’ Jesus said, ‘and I will send you out to fish for people.’ At once they left their nets and followed him.” Matthew 4:19-20

A pair of musicians turned in a stunning performance of Air Supply's beloved classic "All Out of Love." This is one version of a tune, known and loved by many, that you'll want to listen to repeatedly. Watch the short but powerful clip to hear the duo's dazzling and delightful rendition of Air Supply's "All Out of Love."

It's nearly impossible to get away from love songs. That is especially true if you're listening to music of any genre or style. That’s because almost every single song in existence is a love song. If you were to examine the lyrics of most songs, that is what you would find and conclude. It may not necessarily be a tune about romantic love (which most are), but odds are the vocalist is still singing about some form of love.

Since we can now all agree that love is a subject that has and continues to keep musicians and songwriters busy, there are a handful of truly classic love songs that everyone knows, even if they don't know they do. Al Green's "Let's Stay Together," "My Girl" by The Temptations," and "I Will Always Love You," originally by Dolly Parton and then Whitney Houston, are just a few that immediately come to mind. Of course, there are many others, a seemingly endless amount.

One that certainly fits the bill of a love song is Air Supply's 1980 hit "All Out of Love." Not only is it a love song, but it's also incredibly recognizable. Likely within the song's first few opening notes, most people will spot it, knowing that one of the most beloved songs of all time has just started.

In a clip posted on YouTube, two incredibly talented individuals cover the beloved song. It's a fantastic cover that deserves to be listened to multiple times. It's far superior to the original. I know to some that may be borderline blasphemous, but it's my opinion, and I'm going to stick with it.

1 Corinthians 16:14 "Let all you do be done in love."

Aretha Franklin’s classic “Respect” sparked an epic and surprising dance battle. The two competitors refused to back down, seemingly having the time of their lives while showing their fancy footwork to the timeless tune. Watch the short but jaw-dropping clip to see this unbelievable and joyous dance battle.

Getting exercise and simply getting up and moving around are essential for everyone. This becomes even more so as we age and begin to slow down. But, of course, muscles that aren’t used regularly will atrophy even faster, which is why doing something as simple as a walk around the block can be incredibly beneficial.

The point is to find something you enjoy doing that involves getting up, moving around and putting those muscles to work. If you enjoy doing it, exercise will feel less like a chore and more like something you’re genuinely excited about doing. It can literally be anything; just pick something and get active!

A clip posted on YouTube showed some older adults living in a retirement center enjoying classic tunes. However, a couple of them weren’t interested in simply sitting down and listening; they felt the need to get up and boogie, and why not?

The man and woman danced around, engaged in a highly competitive dance battle, and others sat around the room, taking in the show. Both showed that despite their advanced age, they were still pretty nimble on their feet, moving around the dance floor with relative ease and plenty of rhythm.

But they weren’t the only people out on the dance floor strutting their stuff. Near the short clip’s conclusion, two other individuals were also spotted on the floor, having a good time listening to Aretha’s beloved tune from 1967.

Typically, dance battles end with a winner and a loser selected. However, I’m not the right person to choose. Everyone on the dance floor showed they were much better on their feet and had more talent and coordination than I do!

Psalm 149:3 “Let them give praise to his name in the dance: let them make melody to him with instruments of brass and corded instruments of music.”

A 19-year-old earned a coveted four-chair turn on The Voice. Her beautiful voice and outstanding audition had some of the biggest names in music quickly flip their chairs around for her. Watch the short but jaw-dropping clip to listen to the young woman's dazzling musical performance.

From what I can tell, The Voice is the only music talent competition show in which the judges are literally facing away from those hoping to make it onto the show. Instead of a sad, hard-luck, personal story, a contestant's voice and musical ability are the only things that will win over a judge. Those judges aren't turning their chairs if their voice isn't impressive.

American Idol and America's Got Talent really put a lot of focus on a contestant's backstory, which is often intended to tug at the judges' and the audience's heartstrings. You're already rooting for this or that person to do well before they even sing a note. The Voice doesn't do that before they sing for the judges.

In a clip posted on YouTube, it was a young woman's beautiful and unique voice, and not a hard-luck backstory, that caused all four of the judges to turn their chairs around. Within seconds, it was clear that Sadie Dahl had a massive amount of talent. The judges wasted no time at all turning their chairs around for the aspiring singer.

She doesn't have the strongest voice in the world, but she has a beautiful tone and knows how to move her voice up and down, creating literal music to the ears. It was a dazzling performance that you could listen to repeatedly.

The judges showered the young woman with praise and compliments, but Reba McEntire gave her the biggest compliment.

"You could definitely win this thing," Reba told Sadie. "I'm not kidding you. That was mesmerizing."

Colossians 3:16 "Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord."

A stunning “Ain’t No Mount High Enough” cover wowed. These musicians turned in a world-class, jaw-dropping rendition of this beloved classic tune. Watch this short but delightful clip to listen to this fantastic cover of “Ain’t No Mountain High Enough,” a song that is near and dear to the hearts of many.

Who doesn’t enjoy a good cover every now and then? No, I’m not talking about the ones that were sewn and knitted together, but those are also amazing, especially on a cold and chilly night. What I am talking about are those cherished, timeless tunes performed by musicians who did not originally write or record them.

Everyone loves hearing someone else’s interpretation of a classic, unless it’s awful and embarrassing. In that case, we’ll completely wipe it from our collective memory, never speak of it again and go about our lives as if it never happened. Thankfully, for the most part, that is not the case. Most musicians who are going to play someone else’s songs usually give those songs the time and care they deserve.

In a clip posted on YouTube, a handful of musicians performed “Ain’t No Mountain High Enough.” And it is absolutely fantastic! It’s a simply marvelous rendition of the song previously performed by Marvin Gaye and Tammi Terrell. You’ll likely find yourself dancing along and singing those iconic, memorable lyrics. It has one of the catchiest choruses of all time. It’s nearly physically impossible to listen to that song and not sing the chorus, at the very least.

“Ain’t no mountain high enough
Ain’t no valley low enough
Ain’t no river wide enough
To keep me from gettin’ to you, baby”

While I’m not the biggest fan of covers, this one is fantastic. You could easily listen to this one repeatedly. Some might even argue that it gives the original a run for its money.

Colossians 3:16 “Let the word of Christ dwell in you richly in all wisdom; teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.”